(Photograph by Robin Russell). The performing moniker of Tasho Nicolopulos in techno ambient guise, Its Own Infinite Flower  is also a line from Aleister Crowley’s 1905 ode to the Rosicrucian ‘Rosa Mundi’ and symbol of the meeting ground where esoteric and erotic semiotics overlap. In similar fashion Nicolopulos’s synth explorations, which XLR8R calls “crystalline cosmic … Continue reading Its Own Infinite Flower