The Lustmord project started when Brian Williams was assisting the seminal industrial ensemble SPK in the early ’80s when that project was at its most caustic. In those early days Lustmord was often the duo of Brian Williams (often credited as B. Lustmord) and John Murphy. Later Lustmord increasingly became a solo project.

Lustmord’s sound investigations are exquisitely crafted manifestations of horror that balance sublime sound references with the body’s natural queasiness about ultra-low frequencies. He has extracted field recordings made in crypts caves, and slaughterhouses, and combined it with occasional ritualistic incantations and Tibetan horns. His treatments of acoustic phenomena encased in digitally expanded bass rumbles have a dark ambient quality. Credits on over forty motion pictures including The Crow and Underworld, One of the two composers for the Turtle Rock/2K game Evolve.  He has worked with John Balance, Chris & Cosey, Clock DVA, Current 93, Paul Haslinger, Maynard James Keenan, Melvins, Nurse With Wound, Tool and Wes Borland amongst others.