Biosphere’s  Geir Jenssen takes cues from his outpost near the world’s Arctic Circle, where he has sculpted a body of ambient works as iconoclastic as the remote midnight sun that beams onto the desert barren tundra’s and northern lights. Jenssen has painted his tonal impressions around the natural phenomena of clouds, glaciers, fjords and forests to forge a somnambulant music that also embraces a sine wave wilderness of slow synthetic pulses or hazy orchestral sources drawn from a distantly submerged Debussy broadcast.