Floating Points – aka Sam Shepherd – has so many guises that it’s not easy to pin him down. A composer, curator, a classicist, disco guy that makes machine music, and digger always searching for untapped gems to rerelease. Floating Points’ first album in four years, Crush, twists whatever you think you know about him on its head again. It’s the producer at his most “unhinged,” he says, a tempestuous blast of electronic experimentalism whose title alludes to the pressure-cooker of the current environment we find ourselves in.