Karen Barad is Distinguished Professor of Feminist Studies, Philosophy, and History of Consciousness at the University of California at Santa Cruz. They are also an affiliate in Critical Race and Ethnic Studies. Barad’s Ph.D. is in theoretical particle physics and quantum field theory. They held a tenured appointment in a physics department before moving into more interdisciplinary spaces. Barad’s research focuses on the relationship between science and questions of justice.They are the author of Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (Duke University Press, 2007) and numerous other works in the fields of physics, philosophy, political theory, science studies, decolonial studies, and feminist, queer, and trans theory. Their research has been supported by the National Science Foundation and the National Endowment for the Humanities, among others. Barad is a co-founder of the UCSC Science & Justice Research Center and the Science & Justice Graduate Training Program.

Black Quantum Futurism (BQF) is an interdisciplinary practice founded by Camae Ayewa and Rasheedah Phillips that synthesizes quantum physics with Afrodiasporic principles and ontologies of time, space, ritual, text, and sound, yielding an innovative framework for the creation of counterhistories and alternate futures. Rooted in a commitment to challenge mainstream narratives, BQF actively confronts exclusionary perspectives of history and the future, offering critical alternatives that uplift Black experiences and possibilities. The collective has been instrumental in the conceptualization and execution of an array of community-based projects, performances, experimental music projects, immersive installations, educational workshops, published books, short films, and a diverse range of zines. Two seminal initiatives by Black Quantum Futurism include the award-winning Community Futures Lab, which serves as an interactive platform for communal storytelling and speculative planning, and the Black Women Temporal Portal, aimed at amplifying the often-overlooked narratives of Black women through a variety of media. Black Quantum Futurism's art, writing, and music have been nationally and internationally recognized. They were honored as 2022 Creative Capital Fellows, while also receiving the distinction of being 2020 CERN Artist Residents. Additional fellowships and grants include the 2021 Knight Art + Tech Fellowship, the 2018 Velocity Fund Grant, and the 2017 Center for Emerging Visual Artists Fellowship, among others. BQF was further acknowledged as a 2017 Pew Fellow, reflecting their sustained impact in the artistic community. The reach of BQF's work extends to prestigious global platforms where they have presented, exhibited, and performed. These include REDCAT, Counterpublic 2023, Red Bull Arts NY,  Chicago Architecture Biennial, Village of Arts and Humanities, ApexArt NYC, and the Metropolitan Museum of Art. International showcases also feature prominently, with installations at documenta fifteen, Manifesta 13, ICA London and more.

The Goethe-Institut San Francisco was established in 1967 and since then supports cultural exchange and dialogue with its American partners. The focus areas of the Goethe-Institut San Francisco include art & technology, film and contemporary art from Germany. In addition to cultural programming like exhibits, screenings, concerts and workshops, the institute organizes public discussions pertaining to contemporary social-political topics.

“C/Change – the next dimension” is a project implemented by the Goethe-Institut San Francisco and is funded by the Federal Foreign Office of Germany. It is a follow-up project to the hugely successful “C/Change”, which was implemented together with the Gray Area. The aim of “the next dimension” is to showcase the prototypes, that were developed in the last project by international teams and focus on feminist technologies, digital democracies and planetary futures. The new project also seeks to strengthen and increase the build network of technologists, designers and artists.

The Studio Quantum residency programme and accompanying event series will connect artists and audiences with partners in technology, culture, science and education to foster an open dialogue on the topic of quantum technologies and the arts. Studio Quantum builds on the success of the “Living in a Quantum State” project, which through events in Dublin, Berlin, London, Beijing and San Francisco, engaged audiences in conversations around the future impact of quantum technologies.