The Destructionist International is dedicated to the negative in all of its forms. It is driven by a shared inclination: a taste for the fury of destruction, away from the dull submission of situations to reasoned judgement. Its first work was the film Machines in Flames, in which media scholar Andrew Culp and cultural geographer Thomas Dekeyser retraced the footsteps of CLODO’s historic attacks on computer firms in the 1980s.