Vivien Sin has held group and solo exhibitions in Chicago, Hong Kong, and San Francisco. She is interested in synthesizing her multi-faceted, and often paradoxical visions for the future through her work. Previously, she worked as an apprentice for Pierre Y.F. Chan and Zhong Yao.

Her paintings explore the manifestation of infinity in many forms, including human’s desire for immortality, knowledge, and the inherent motion intrinsic in the process.

She is currently based in San Francisco.