Fabian Fabro is a Filipino-American creative coder, composer, Rondalla & Kulintang musician. From the island of Oahu, Hawai'i, now in the Bay Area. He finds ways to combine his passion with audio and technology. His works mainly consist of music and audio, but also as a Filipino, he explores to express his culture to preserve, curate, and create.

Connie Ye is a San Francisco-based artist and engineer who makes small games and small art. A member of the tech-art collective Algorat, she co-created ‘The Ratchelor,’ a dating game trilogy that has engaged over a million players since 2021. Connie also contributes actively to the p5.js editor open source maintenance, as a pr05 grant mentor in 2024 and 2025 and most recently as a Developer in Residence for stewarding the CodeMirror version migration.

Aung Nyein Chan is a Burmese creative technologist making San Francisco his second home. Working as Enchax, a name born from his own when spoken quickly in Burmese, he creates art from longing and possibility. Growing up in Myanmar, where possibilities felt painfully limited, the internet became his escape. Anime, superheroes, and video games showed him worlds where transformation was possible. Today, he brings that longing to augmented reality, mixed reality, creative coding, and interactive installations exploring migration, identity, and memory.

Product designer by day. Artist by night. Exploring different art mediums, 100 days at a time.

Carey J. Flack is a creative technologist and 7th generation Oklahoman based in Oakland, California. Her work investigates Black Southern ecologies and place-making, embodied memory, and cultural technologies — expressed through archival research, courses, slow craft, art, and ml/code. Through @pressed.roots, Carey documents Black land histories across the American South. She also co-directs MEMORY PATTERN, a quilting course that explores and connects global Black textile traditions with the digital, for 80+ participants across the US/Canada. Her place-based work includes Mapping Black Oklahoma and the Clearview Historical Mapping project, two community GIS projects that highlight Black and Afro-Indigenous Memory and archive one of Oklahoma’s 13 remaining Black towns. Her first tiny land-based ML model, “Sketches From the Field,” explores the relationship between humans, machines, and nature. ​ Carey has taught at the School for Poetic Computation and was featured in Seventeen Magazine as a “Power Girl” for her technology work. She’s given talks at the United Nations, the Cherokee Nation of Oklahoma, and New York University.

Nidhi Sinha (she/they) is dedicated to making art that is disconcerting, colorful, and loud. Their work pushes back against narratives of AI-inevitability and encourages more unabashed daydreaming. She is also constantly exploring her identities as a queer/South Asian/sort-of woman/tech worker from the Bay Area. They juggle many titles as a data scientist, AI policy advocate, mixed-media artist (drawing, painting, sculpting, writing, dancing), and diligent cartwheeler. Her biggest goal is to contribute to building a kinder world for us to live in.

Mahshid Moghadasi is an artist and computational designer whose work moves between code and physical space. With a background in architecture and computational design, their practice spans creative coding, digital fabrication, interactive installation, and sculptural work. They are interested in bringing computation and physical making together to create experiences that move between digital and physical space. Recent projects include 404 You Do Not Exist, an installation developed through Gray Area’s Creative Code Intensive that explores censorship, digital access, disconnection, and visibility through p5.js and physical installation; Data Temple, an immersive environment designed for Otherworld Philadelphia; and As Above, So Within, a large scale 3D-printed Mandelbulb sculpture created for Burning Man 2026.

Dylan Peet is an artist, nonprofit arts worker, and performer based in San Francisco. Interested in the precarious volatility of embodiment and perception, he and his drag alter ego Sue Veneer sit at the intersection of radical in/vulnerability and stunting on these hoes. His works in video, performance, installation, and photography often focus on the tension between what is hidden and what is displayed, inauthenticity as queer growth edge, and meaty crepuscular embodied spectacle.

Charlotte McElwain (she/her) is an artist and creative technologist based in Oakland, working primarily in the Rust programming language with a focus on open source creative coding and 3D graphics tools. She first learned to code through Processing in 2009.

Rainbow (Alan Davis) is an educator, engineer, event facilitator, speaker, storyteller and immersive theater geek putting fun and play back into tech. After working a software engineer at Leap Motion and Twilio, then a teacher at Make School, he now helps make AI more humane and builds communities at the intersection of art and technology. His inner child comes out to play as Captain Rainbow, an interstellar superhero whose mission is to unlock creativity – in his heart and yours! 🌈🦸🏻‍♂️✨

TIAT (The Intersection of Art and Technology) is a San Francisco gallery dedicated to creative technologists. This nonprofit space functions as an experimental hub where creative technologists gather for workshops, panel discussions, and new media art exhibitions. The space hosts gatherings like open projector hangouts and computational poetry events. It showcases transdisciplinary work, including bio-art, interactive installations, and generative media, providing a collaborative environment for practitioners to test ideas, engage with community, and expand their technical and artistic reach.