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DWeb for Creators

DWeb for Creators

Decentralized Web (DWeb) for Creators is an 8-week online course that empowers artists, designers, archivists, gallerists, curators, and others with the knowledge and tools necessary for exploring the decentralized web. Through lecture, discussion, and hands-on practice with emerging technologies, participants in DWeb for Creators will use an intersectional lens to study the theoretical frameworks that shape the decentralized web. Participants will engage with technologies like blockchain and mesh networks; examine case studies in curation, publishing, data sovereignty, and community building; and apply decolonial approaches to world building as they envision the future of DWeb technologies. Culminating in an online salon where students will present their projects and ideas developed during the course, this course provides the necessary background, skills, and support to adopt decentralized technology into every creative practice.

DWeb for Creators is led by a team of experienced instructors working at multiple intersections of the decentralized web. They represent the leading-edge of global organizing and studio art practices involving DWeb technologies. 

DWeb for Creators is made possible by the support of Filecoin Foundation for the Decentralized Web.

Dates:

Course and Scholarship Application Dates:
Apply by April 2, 2025

Course Dates:
April 16 – June 8, 2025 | Wednesdays, 10:30 AM – 1:00 PM PT and Sundays, 10:00 AM – 1:00 PM PT

DWeb for Creators Project Salon:
Wednesday, June 18, 2025 | 10:00 AM – 1:00 PM PT

Course Logistics

Eight Weeks ONLINE: April 16 – June 8, 2025, plus the DWeb for Creators Project Salon on June 18, 2025

  • Learn in 8 Knowledge Sessions:
    Wednesdays, 10:30 AM –1:00 PM PT
  • Gain hands-on experience in 8 Praxis Sessions:
    Sundays, 10:00 AM –1:00 PM PT
  • Present your work in the DWeb for Creators Project Salon: Wednesday, June 18, 10:00am-1pm PT

Cost: $2500 for 44 hours of live video instruction.

We also offer Scholarships, find out more here.

Experience Level: This course welcomes all who have basic computer proficiency, no coding or other technical knowledge required.

Course Requirements:

  • Computer with an internet connection, microphone, and camera for all sessions. Some optional hands-on sessions will require special materials. Participants can opt out of any sessions they wish.
  • Some materials are needed for students who wish to participate in Praxis Sessions 4 & 7. We’ll update this page with a list of parts soon!

Technologies Used

  • Command Line (bash)
  • Metamask
  • Blockchain
  • Smart contracts
  • NFTs
  • Block Explorers
  • ATProto (Bluesky)
  • ActivityPub (Mastodon)
  • Meshtastic

DWeb Course FAQ

We held an info session for last year’s course, you can find the FAQs derived from it here.

Course Outline

Week 1
  • Knowledge Session: Introduction to Decentralized Web (Dweb) and Its Cultural Foundations
  • Praxis Session: Command Line for Creatives
Week 2
  • Knowledge Session: DWeb Lexicon and Ecosystem
  • Praxis Session: Data Sovereignty and Storage
Week 3
  • Knowledge Session: The Evolution of DWeb Art, Activism, and History
  • Praxis Session: Critical DWeb Art Projects + Practices
Week 4
  • Knowledge Session: Values and Philosophical Underpinnings of DWeb
  • Praxis Session: Cloudbusting! Self-Hosting Your Own Web Services
Week 5
  • Knowledge Session: Governance, Creative Ownership and Cross-institutional Collaboration
  • Praxis Session: Decentralized Social Media
Week 6
  • Knowledge Session: Diversification of Storage Practices
  • Praxis Session: Archiving Preservation in DWeb
Week 7
  • Knowledge Session: Decentralization: Sovereignty, Power, and Critical Practice in DWeb
  • Praxis Session: Setting up a Mesh Network
Week 8
  • Knowledge Session: DWeb’s Social and Community Impact
  • Praxis Session: DWeb Worldbuilding + Speculative Design
Week 9
  • Public Presentation of Student Projects & Research

Learning Outcomes

By the end of this course, participants will be able to:

  • Discuss different approaches to the design and implementation of distributed web systems—including Blockchain, smart contracts, NFTs, Block Explorers—and their social impacts.
  • Practice navigating the command line and other technological essentials for exploring the decentralized web technologies.
  • Use decentralized networks for organizing, encrypting, verifying, and archiving and preservation of digital files in galleries and cultural institutions.
  • Discern between both the promises and limitations inherent in the decentralized web through historical analysis of the vision, implementation, and impact of the world wide web using critical and decolonial approaches and methodologies. 
  • Create and manage community networks for resilience, from identifying criteria and roles to implementation of mesh networks.
  • Identify methods for contributing to the evolution of the decentralized web as an artist, designer, creative professional, musician, archivist, or cultural practitioner.
  • Present research, creative work, or technical prototypes related to the decentralized web for a public audience.

Who this is for:

  • Artists
  • Designers
  • Archivists
  • Gallerists
  • Arts Professionals
  • Artist Rights Advocates
  • Creative Professionals

Methodologies

  • Case studies
  • Hands on practice with DWeb technologies
  • Technical literacy
  • Shared channel for communication (Matrix) to build community around DWeb discussion and critique

About Scholarships

Scholarships are awarded based on available capacity, and a review process overseen by the Gray Area team to prioritize diversity, equity, inclusion, and need. This approach makes sure everyone who is passionate, curious, and dedicated to the values of the Decentralized Web can join this course and our other educational offerings.

Our Financial Model: 

Tuition fees (alongside ticket sales, grants, donations, and memberships) constitute a major portion of the financial support for our organization. These contributions enable us to compensate our artists and instructors who are essential to our programs. 

We strongly encourage those who can afford the tuition to pay for the course. By enrolling, you’re not just investing in your education—you’re supporting the broader Gray Area ecosystem, and enabling us to offer more scholarships and reduce barriers to entry.

Tuition Structure: 

$2500 for 44 hours of live online video instruction over the course of 8 weeks. We offer options for one-time payment or flexible payment plans.

We hope you join us! For more information on the DWeb for Creators course, payment plans, or scholarships please reach out at [email protected].


Curriculum: Knowledge + Praxis Sessions

Week 1 • Introduction to Decentralized Web (DWeb)

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Knowledge Session: Introduction to Decentralized Web (Dweb) and Its Cultural Foundations with Sarah Grant and Regina Harsanyi

Since Sir Tim Berners Lee invented the World Wide Web in 1989 as a “universal linked information system” the web has grown to become the world’s dominant interface with the Internet. This session will explore the history of the World Wide Web while analyzing the technologies, organizations, legislations, and ideologies that shaped the web over the past three and a half decades. It will lend a particular focus on the colonial legacies that are embedded in the web and its underlying network technologies.

Praxis Session: Command Line for Creatives with Sarah Friend and Sarah Grant

To get up and running with various DWeb tools often involves using the command line interface, or cli, but they rarely actually teach cli itself. This session will focus on cli exclusively, looking at foundational skills that will make all other explorations of software development and DWeb more approachable.

Week 2 • Exploring An Ecosystem of Sovereignty

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Knowledge Session: DWeb Lexicon and Ecosystem with Regina Harsanyi, ngọc triệu, and Sarah Grant

The session serves as a valuable resource for anyone seeking the knowledge necessary to confidently engage in conversations about decentralization. We will delve into the lexicon of the decentralized web and unlearn prevailing misconceptions regarding what it means. By mapping out its intricate ecosystem, we will explore fundamental concepts integral to the DWeb—such as decentralized, distributed, and federated principles. We will consider DWeb’s ecosystem and key events and players in its evolution from multiple perspectives laying the groundwork necessary for meaningful engagement, and informed decision-making.

Praxis Session: Data Sovereignty and Storage with Kelani Nichole

Hegemonies have benefited from extracting our personal data: reducing our most precious resource –our relationships – into the basis of surveillance capitalism. This session starts with a brief history of the infrastructure of the world wide web, specifically with the lens of a user’s relationship to their own data. In the workshop following, we’ll cooperatively map the data we are generating and examine how that data can be leveraged as intellectual property. Re-imagining ways to take back ownership of our data we will collaboratively engage in exercises of preserving value, longevity, privacy, and rights regarding where our data is stored and how it is monetized.

Week 3 • The Evolution of DWeb Practice and Principles

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Knowledge Session: The Evolution of DWeb Art, Activism, and History with Regina Harsanyi and Sarah Grant

Despite popular belief, the history of artists working in DWeb does not begin in 2018 or even 2009. In this session, we will examine decentralization in the context of the arts from the 1970s to the present moment. Participants will learn why artists have been drawn to making work with and about decentralized networks and who helped to shape the evolving aesthetics and discourse around artwork related to these systems. Finally, participants will learn how artists have used decentralized tooling for autonomy and why it may or may not have been successful.

Praxis Session: Critical DWeb Art Projects + Practices with Sarah Friend and Ayana Zaire Cotton

Critics have cited a lack of distrust in institutions as the impetus for the rise in decentralized web technologies. How might centering collective ownership and collective imagination allow us to seed ways of working and being on a decentralized web so that we reinforce care instead of conspiracy? This session will look in-depth at approaches to integrating DWeb tools into art practice from curation, to publishing, to studio practice and community building. We will kick the session off by engaging with case studies of art practices and projects that leverage decentralization as a method of community building followed by an open discussion to critique, synthesize, and imagine alongside these case studies. Next up, we will explore artist DAOs (decentralized autonomous organizations), as ways to hold assets in common, and discuss experimental voting and coordinating tools.

Week 4 • DWeb Values and Their Underpinnings

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Knowledge Session: Values and Philosophical Underpinnings of DWeb with mai ishikawa sutton

This session will engage in a critical analysis of the DWeb Principles as a case study, examining one approach taken by a community to crystallize a shared vision for distributed network infrastructure. Since 2016, the Internet Archive has convened a global community to share ideas and approaches to building a decentralized web. Members of this DWeb community decided to collaborate and develop a set of principles to define their shared values. What resulted was a document that has guided the community since 2021. We will compare the document to other principles and statements around “internet freedom,” “digital rights”, and “decolonized technology,” and explore the purpose that such declarations serve for their communities. We will analyze technologies and organizations from both the World Wide Web and the Decentralized Web through the lens of the DWeb Principles and students’ personal values.

Praxis Session: Cloudbusting! Self-Hosting Your Own Web Services with Sarah Grant

In this workshop, we will learn how to configure a Raspberry Pi with YunoHost, a community-supported platform that provides access to dozens of different self-hosted applications. These applications include email, cloud storage, chat services, artificial intelligence tools, and many more — all of which can be installed directly on your Raspberry Pi.

Week 5 • Cooperative Ownership, Governance, and Collaboration

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Knowledge Session: Governance, Creative Ownership and Cross-institutional Collaboration with Kelani Nichole and mai ishikawa sutton

Cooperative forms of resilience are emerging, powered by decentralized principles of transparency, solidarity, and adaptability. In this session, we will share case studies from across the cultural sector shining on artists, organizations, and institutions exploring decentralized principles and cooperative structures. We’ll discuss governance models and the patterns of human coordination that underlie cooperative efforts. Participants will be invited to contribute their experiences with solidarity economies surrounding their practice, which powers much of the emerging cultural sector. Together we’ll create a generative model for building new forms of cooperation and resilience as a blueprint to deploy in your own work.

Praxis Session: Introducing Decentralized Social Media with Kelani Nichole and Sarah Friend

This session on Decentralized Social Media provides an overview of platforms and protocols such as Bluesky (ATProto) and Mastodon (ActivityPub). Participants will set up accounts on both platforms, as well as participate in hands-on activities building on experience from the command-line and server set up praxis sessions. The instructors will also lead participants through a discursive skill sharing session on using these technologies, as well as more well-known tools and platforms, for promotion of creative work.

Week 6 • Data Care and Preservation in Building DWeb Archives

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Knowledge Session: Diversification of Storage Practices with Regina Harsanyi & Kelani Nichole

Stanford University articulated one of the most important tenets of digital preservation, LOCKSS or “Lots of Copies Keep Stuff Safe,” but keeping many copies of a file in the same location can have dire consequences. Diversifying where our cultural heritage, personal and otherwise, is kept is just as important as making copies of it all. We will cover tools in hardware and software that exist to help keep our files safe. We will also explore ways to network them together for the purpose of community archiving. We’ll learn about the pros and cons of running your own server, maintaining your own preservation hardware, offline storage, online storage, and security.

Praxis Session: Archiving Preservation in DWeb with Regina Harsanyi

Decentralized tooling may appear to be a useful evolution in archiving, preservation, and conservation of born-digital and digitized material but what you put into a decentralized system is what you get out of it. This course will teach you how to prepare files for decentralized archiving, including file organization, naming, telling the difference between archival and non-archival files, and encryption methods. Learn what metadata to include and how to write a checksum that verifies your files haven’t changed. You will then learn to tell the difference between good decentralized resources for storing files versus not so useful choices. We’ll also discuss why decentralized practices in archiving at large have not been adopted.

Week 7 • Critical Practice, Power, and DWeb

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Knowledge Session: Decentralization: Sovereignty, Power, and Critical Practice in DWeb with Ayana Zaire Cotton & ngọc triệu

Our individual cultural background and knowledge influence how we define decentralization and perceive its impact on our society. In this session, we will examine various facets of DWeb through the critical lens of decoloniality. We’ll also explore how DWeb technologies — as a mode of being, thinking, and creating — enable us to co-design more just and better digital futures. Participants will acquire insights into the neo-colonialist implication within the realm of technology in general and in DWeb in particular. The discussion will include whether technological decentralization leads to power decentralization, examining sovereignty and decolonization in relation to DWeb.

Praxis Session: DIY Long Range (LoRa) Meshed Networks with Meshtastic with Sarah Grant

In this hands-on workshop, we will learn how to build and configure our own long-range mesh networks using ESP32 devices equipped with LoRa, Bluetooth, and WiFi capabilities running Meshtastic. Meshtastic provides a user-friendly platform for connecting to and configuring ESP32 boards through a mobile app, enabling us to easily set up resilient networks independent of traditional infrastructure. We’ll also explore how to create secure chat rooms and communication channels with customizable privacy levels.

Week 8 • World-building for the Future

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Knowledge Session: DWeb’s Social and Community Impact with Sarah Grant

In this session, we will begin by analyzing DWeb’s impact from community, non-technical, and social perspectives. We will discuss mesh networks, examining their emergent potential. We will engage with world-building, speculative design, and futurism through exercises that visualize future scenarios enabled by DWeb.

Praxis Session: DWeb Worldbuilding + Speculative Design with Ayana Zaire Cotton

Synthesizing the concepts learned over this series of DWeb sessions Ayana invites you to leverage the power of Worldbuilding. Now that we know the critiques and the possibilities of DWeb, what world do we want to build in response? Come along to Cykofa, a speculative world of decolonial aesthetics, a parallel universe suspended among past and future. Visit Cykofa and learn to imagine, speculate, and design your own parallel universe, one where decentralization is an ancient reality. Explore expansive modes of decentralization that might have nothing to do with hardware or computer interfaces as we know them.

Closing Session • DWeb for Creators Project Salon

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Students will have an opportunity to share a 5-minute virtual presentation with the public through an online salon on their work or research from the course. Reflecting the diverse interests of students and instructors in the course, the presentation may cover artworks, community initiatives, cultural interventions, archives, research projects, or technological prototypes engaged with the decentralized web.

Partners:

Filecoin Foundation for the Decentralized Web

Filecoin Foundation for the Decentralized Web (FFDW) is a 501(c)(3) non-profit whose mission is to ensure the permanent preservation of humanity’s most important information by stewarding the development of open-source software and open protocols for decentralized data storage and retrieval networks.

Instructor(s)

Ayana Zaire Cotton is a cultural worker from Prince George’s County, Maryland. During a biotechnology residency at Ginkgo Bioworks she wrote the non-linear speculative fiction novella Cykofa: The Seeda Origin Story in collaboration with creative writing software she engineered at the Recurse Center. Ayana is the founder and steward of Seeda School, named after Seeda, the non-binary biotechnologist living in Cykofa, an abolitionist community seeded by black feminist ancestors. Seeda School houses a community of practice for black feminist worldbuilding and creative actualization. Through Seeda School they publish a newsletter and podcast For the Worldbuilders. Inside the ecosystem of their practice Ayana braids storytelling, engineering, and interspecies collaboration to engage our collective imagination around the worlds we need in the future we desire.

Kelani Nichole is a technologist and founder of an experimental media art gallery called TRANSFER. She has been exploring decentralized networks and virtual worlds in contemporary art since 2013. Nichole's focus is supporting artists with critical technology practice, and exploring alternative models of cultural infrastructure. Currently she is building the TRANSFER Archive, a decentralized data trust and cooperative model for cultural value exchange, and producing a generative documentary film 'Almost in Real Time'.

Mai is an organizer and writer focused on the digital commons and other intersections between network technologies and the solidarity economy. They are a co-founder and editor of COMPOST, an online magazine about and for the digital commons, project manager of Distributed Press, and a contributor to Hypha Worker Co-operative. They are also the Director of Fellowships of DWeb Camp, and a Digital Commons Fellow with Commons Network.

ngọc triệu (she/her) is a Vietnamese design researcher and community organizer working at the intersection of human-centered design, digital rights, and public-interest technology. Over the past 6 years, ngọc's worked closely with free, open-source and decentralized project teams and their communities to tackle challenges such as digital safety and security, mis/disinformation, and Internet censorship. She initially joined the DWeb movement in 2022 as a DWeb Fellow then returned to DWeb Camp 2023 to lead the first Design Track—a thematic program dedicated to promote usable security and accessibility in Internet freedom and human rights tools and platforms. She now serves as the DWeb Fellowship Director, bringing her experience in community building and decolonial practices to amplify and expand the program's impact.

Roxi Shohadaee is the Creative Producer at Gray Area, producing the Decentralized Web Curriculum for Creators, the Criptech Metaverse Lab VR prototypes and other special projects. Roxi has been collaborating and partnering with Gray Area since 2012, including Urban Prototyping Festival, End of You and the Gray Area Festival. She is also the Executive Director, ARTchitect and Co-Founder of the Design Science Studio, a regenerative cultural incubator for artists founded to build capacity of the creative community to propel the design science (r)Evolution. She is also the Founder + CEO of habRitual: an experiential production, interdisciplinary design and immersive art studio creating for 100% of life. Roxi is a regenerative artivist, protopian futurist, ontological designer, experiential producer, transdisciplinary social sculptor and creative doula. She is a student of living systems, regenerative design and decolonial sustainability. She has over 17 years of experience working at the intersection of art, science, experience and technology. Her quest is to harness this intersectional approach to catalyze social and systemic change through inclusive, transdisciplinary collaborations for the regeneration of our planet and culture.

Regina Harsanyi is a Time-Based Media specialist who has been assisting Museum of the Moving Image with born-digital art and artifacts since 2017. A graduate of New York University’s Institute of Fine Arts, Harsanyi has worked on major time-based media conservation projects for artist studios, galleries, museums, auction houses, and private collectors such as bitforms, Jenny Holzer, Sotheby’s, and Cooper Hewitt Smithsonian Design Museum. From 2017-2020 Harsanyi also facilitated over 200 exhibitions across 26 locations under Wallplay as Director of Programming.

Sarah Friend is an artist and software developer from Canada and currently based in Berlin, Germany. She is an alumni in the Berlin Program for Artists, a founder and co-curator of Ender Gallery, an artist residency taking place inside the game Minecraft, and an organiser of Our Networks, a conference on all aspects of the distributed web. Recent solo exhibitions include Off: Endgame, curated by Rhizome, Refraction and Fingerprints at Public Works Administration, New York, USA and Terraforming at Galerie Nagel Draxler in Berlin, Germany. She is on the advisory board and was formerly the smart contract lead for Circles UBI, a blockchain-based community currency that aims to lead to a more equal distribution of wealth. She was also the technical lead for Culturestake, a project that uses quadratic voting to lead to better decisions about arts funding. She was a co-founder of bitspossessed, a software development consultancy that operates as a coop, and in 2022 was a visiting Professor of blockchain art at The Cooper Union.

Sarah Grant is an American artist and professor of media art based in Berlin at the Weise7 studio. Her teaching and art practice engages with the electromagnetic spectrum and computer networks as artistic material, social habitat, and political landscape. She holds a Bachelors of Arts in Fine Art from UC Davis and a Masters in Media Arts from New York University's Interactive Telecommunications Program. Since 2015, she has organized the Radical Networks conference in New York and Berlin, a community event and arts festival for critical investigations and creative experiments in telecommunications.