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Missing Objects Library: Carbonivore

Gray Area presents Carbonivore, a new exhibition of work from the Missing Objects Library.

Carbonivore is a new, site-specific installation from the Missing Objects Library, a collaboration between artists Asma Kazmi and Jill Miller. Weaving together sculpture and new media in an immersive installation sprawling across the entire Gray Area Gallery, Carbonivore deconstructs notions that technology is immaterial. Instead, this work draws attention instead to the profound physical presence and environmental consequences of our networked lives.

Exhibition Duration: April 22 — July 20, 2025

About Carbonivore

Carbonivore itself is a speculative, fictionalized hybrid creature—a fantastical chimera of animal, plant, mineral, and machine. Conceptualized through deep research into the supply chains that drive digital technologies, Carbonivore makes manifest the relentless physical infrastructure that supports the Cloud, Big Data, and AI.

The installation recreates the scene of a server farm, an architectural behemoth housing powerful computers and where data is stored and computational power is pooled. Often invisible to the consumer, server farms are ubiquitous around the world and can draw power equivalent to a small city.

Made from 2,000 lbs of e-waste collected from all over the Bay Area, Carbonivore's physical form in the main gallery is an immersive web of tangled, reclaimed cables, wires, pipes, server racks, monitors, air conditioners, and transformers. In its grubby grotto, this semi-organic mass pulsates with ravenous consumption—Carbonivore is a parasitic agitator that critically represents the excesses of technological innovation, resource extraction, and industrial development.

All digital technology requires rare earth materials—the extraction of which is linked to severe global environmental degradation, dehumanization of laborers, species extinction, and public health catastrophe. Carbonivore's visuals oscillate between physical objects and digital representations on flickering loops that imaginatively reconstruct sites of extraction like the cobalt mines in the Democratic Republic of Congo. In this way, materials remain perpetually connected to their geological origins, despite their violent processes of extraction and commodification.

Complementing the primary installations, monitors in the lobby feature Carbonivore's ‘offspring’—creatures composed of rare earth materials like lithium, cobalt, and silicon. These entities adopt surreal forms that similarly emphasize their entanglement with their geographical origins. To witness the pure elements is also to witness the mines, quarries, wells, and evaporation ponds from which they were removed to become the devices in our pockets.

Reflecting the world of material extraction and advancement back to us, Carbonivore reminds us that our technologies occupy expansive spatial and temporal geographies.

Missing Objects Library: Carbonivore was commissioned by Gray Area as part of C/Change, an initiative for prototyping future pathways for tech-enabled cultural exchange in partnership with the Goethe Institut San Francisco.

Additional support for Carbonivore was provided by UC Berkeley Surplus, UC Berkeley Center for New Media, and the City of El Cerrito Recycling and Environmental Resource Center.

Past Gray Area Gallery Exhibitions

Gray Area Opens New Gallery Space August 25, 2022 with Inaugural Exhibition

We're thrilled to announce the opening of the new Gray Area Gallery on August 25, 2022, a permanent exhibition space located within Gray Area's current home in the MIssion District's Grand Theater.

Gray Area was originally launched in 2006 by Founding Executive Director Josette Melchor as Gray Area Gallery in San Francisco's South of Market (SoMa) to showcase technology-driven art. The Gallery transformed into the Gray Area non-profit in 2008, and exhibited works by seminal new media artists including Casey Reas, Aaron Koblin, Camille Utterback, and STAMEN Design. During this time, the space quickly became a cultural community center, developing notable civic engagement programs activating communities to respond to local urban issues, and expanding with educational programs, research, and live performances.

The new Gray Area Gallery continues the tradition of making genre-bending work accessible to the public. In tandem with broader Gray Area thematic initiatives, the first year of gallery curation will center on the complicated tensions and surface areas between identity, representation, expression, oppression, and technology.


Where We Live? - Steven Piasecki & Michael Meisel (July 2022)

Location & Hours

Gray Area Gallery
2665 Mission Street
San Francisco, CA 94110
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The Gray Area Gallery is open for appointments. To schedule your visit and discuss available times, please reach out to our curator Wade Wallerstein at [email protected].

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