Lu Yang (b. Shanghai, China) is a multi-media artist based in Shanghai. Mortality, androgyny, hysteria, existentialism and spiritual neurology feed Lu’s jarring and at times morbid fantasies. Also taking inspiration and resources from Anime, gaming and Sci-fi subcultures, Lu explores his fantasies through mediums including 3D animation, immersive video game installation, holographic, live performances, virtual reality, and computer programming. Lu has collaborated with scientists, psychologists, performers, designers, experimental composers, Pop Music producers, robotics labs, and celebrities throughout his practice. Lu Yang has held exhibitions at UCCA (Beijing), MWoods (Beijing), Cc Foundation (Shanghai), Spiral (Tokyo), Fukuoka Museum of Asian Art (Fukuoka, Japan), Société (Berlin), MOCA Cleveland (Cleveland, Ohio). He has participated in several international biennials and triennials such as 2021 Asia Society Triennial (New York), 2012 & 2018 Shanghai Biennial, 2018 Athens Biennale, 2016 Liverpool Biennial, 2016 International Digital Art Biennale (Montreal), Chinese Pavilion of the 56th Venice Biennale, and 2014 Fukuoka Triennial. In 2019, Lu became the 8th BMW Art Journey winner and started the Yang Digital Incarnation project.

Wang Meng is a multimedia visual artist from China and co-founder of Atomic Visual Studio. His work broadly covers video, music, installation art, animation, multimedia stage design, and painting. Wang Meng's audio-visual interactive performances with SHAO have been performed all over the world with pieces like “The Shape of Sound” and “Doppler Shift” being shown at the Worldtronics Festival (DE), Electron Festival (SZ), Cidade Preocupada Festival (PT), Festival Tokyo(JP), and SXSW 2018(US). “Nine Kuai Nine” a.k.a.9.9, conceived up by Wang, is an open ended group with no fixed members and the project merges the world of sound, visuals, and new media installation.

Yu Miao began studying music when she was 6 years old. After graduating from the China Conservatory of Music she has emerged as one of China’s most esteemed young guzheng (Chinese zither) virtuosos. Yu has developed special tuning methods for the guzheng, which overcomes certain limitations in regard to scales and renders more musical possibilities. Yu is not just limited to the Chinese classical canon, as her playing integrates seamlessly with Chinese and western classical music, jazz, electronic music, and rock. Yu is also a composer and sound designer. She has just released the album《Both》together with visual artist Wang Meng, with whom she also performed as a duo at the Aranya Music Festival 2018. She also plays with the Beijing-based band L+R band that fuses electronic dance with the traditional sounds of classical Chinese music, which combines modern electronic music with traditional Kun Opera.

Shao is the first Chinese artist to be signed to the legendary Berlin techno imprint Tresor, and is one of China's leading figures in the world of electronic music and audio visual performance. Highly sought-after as a composer and sound designer, he was invited by the Goethe Institute to re-compose the soundtrack for the classic German silent film Metropolis. Shao also has an ongoing collaboration with leading Chinese directors Meng Jinghui and Cheng Ran. At Recombinant Festival 2019, Shao and visualist Wang Meng presented, for the first time, his colossal and discombobulated sound to the city of San Francisco.

Shigetoshi's practice engages with the formation of a language of visuals, exploring methods for visualizing social and personal phenomena, which do not have a conventionally recognized form. His work attempts to develop responses to limitations of language and expand the expression of two dimensional form in an age of social media, and engages with the limits of chaos and order, generativeness and restriction.

Le Fou (aka LIFEcell) is an electronic artist, content producer and festival producer from San Francisco. His compositions explore meta-futuristic concepts by combining driving rhythms, (in)harmonic experimentation and sonic spatialization. Classically trained in composition and piano at a young age by the eminent pianist and Shanghai Conservatory Professor Li Ruixing, his work has been featured in commercials, label releases, media platforms, documentaries, gallery exhibitions, events and on terrestrial radio stations. Besides performing internationally at festivals such as Electron Geneva and Ultra Korea, he has released with Shao (Tresor) on Caotai records, MHP on SSR (Indieworks) and has a 2019 solo release on the Chinese major label Taihe entitled “The Noble.”